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Rae Armantrout

A Wesleyan Reader's Companion

Rae Armantrout
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  • Works From Rae Armantrout
  • Analysis/Reviews
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Analysis/Reviews

REVIEWS

  • “A Moebius Strip Search: Rae Armantrout and the Speaking Id-Self,” by Aisha Bhoori, from The Adroit Journal
  • “Seeds of Doubt,” by Stephen Burt, from The New York Times Book Review
  • “A Note on Rae Armantrout,” by Ilya Kaminsky, from Boston Review
  • “Liberal Mediation,” by Tim Griffin, from Bookforum
  • “The Words Speak Themselves,” by Alan Davies, from Jacket2
  • “This,” by Rob Stanton, from Jacket2
  • “Elusive Particles” by Lsa K. Perdigao, from Boston Review
  • “Versed,” by Todd Pederson, from Rain Taxi Review of Books
  • “Versed,” by Ken Jacobs, from The Montserrat Review
  • “The Mind is a Spa,” by Aaron Belz, from Cardus
  • “Vocal Cartographies: Public And Private” by Wolfgang Görstschacher, from the Poetry Salzburg Review
  • “Second Acts” from the LA Review of Books
  • “Entangled,” by Dan Chiasson, from The New Yorker (partial access)
  • Ron Silliman’s blog, 1/27/09
  • Ron Silliman’s blog, 2/9/09

ANALYSIS

  • “Dark Matters,” by Mark Scroggins, from Parnassus
    Scroggins examines the work of Armantrout and Peter Gizzi.
  • “‘Hard to say where / this occurs’: Domestic and Social Space and the Space of Writing in Rae Armantrout’s Work,” by Rob Stanton, from How2
    Stanton explores the construction of space in Armantrout’s earlier work.
  • “Where Every Eye’s A Guard,” by Stephen Burt, from The Boston Review
    Burt identifies the self-conscious, probing use of language that typifies all of Armantrout’s work.
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